{"id":7264,"date":"2018-07-30T13:53:30","date_gmt":"2018-07-30T13:53:30","guid":{"rendered":"https:\/\/typa.ee\/resident\/dimitry-tetin-unfinished-notes-on-exploring-tartus-spaces-for-remembering\/"},"modified":"2018-07-30T13:53:30","modified_gmt":"2018-07-30T13:53:30","slug":"dimitry-tetin-unfinished-notes-on-exploring-tartus-spaces-for-remembering","status":"publish","type":"resident","link":"https:\/\/typa.ee\/en\/resident\/dimitry-tetin-unfinished-notes-on-exploring-tartus-spaces-for-remembering\/","title":{"rendered":"Dimitry Tetin: Unfinished notes on exploring Tartu\u2019s spaces for remembering"},"content":{"rendered":"<div data-contents=\"true\">\n<div data-block=\"true\" data-editor=\"et293\" data-offset-key=\"6eap7-0-0\">\n<div class=\"_1mf _1mj\" data-offset-key=\"6eap7-0-0\"><span data-offset-key=\"6eap7-0-0\">Part of the work created during my residency at Studio Tartuensis involved constructing glyphs that merge characteristics of Latin and Cyrillic alphabets. I was hoping to create something that resists interpretation\u2014self-containing loops\u2014elements annotating each other from within a closed system. Ultimately, the work was a way for me to think through the question of \u201cHow do we choose what to remember?\u201d and it\u2019s ever-present companion: \u201cWho chooses what we remember as a community?\u201d<\/span><\/div>\n<\/div>\n<div data-block=\"true\" data-editor=\"et293\" data-offset-key=\"cd54o-0-0\">\n<div class=\"_1mf _1mj\" data-offset-key=\"cd54o-0-0\"><span data-offset-key=\"cd54o-0-0\">\u00a0<\/span><\/div>\n<\/div>\n<div data-block=\"true\" data-editor=\"et293\" data-offset-key=\"715b1-0-0\">\n<div class=\"_1mf _1mj\" data-offset-key=\"715b1-0-0\"><span data-offset-key=\"715b1-0-0\">I wanted to mention some of the places in Tartu that were meaningful to me during the month I spent working at Studio Tartuensis. My work in Tartu followed the logic of annotations: concentric circles radiating outward (with the Gutenberg press, most likely, at the epicenter) defining and inscribing the interior. The following images represent attempts to marked absences, delete, add and rewrite the layers of annotations that make up the image of Tartu as I saw it. They are not meant to be iconic representations of the city but rather images as train of thought and speculation about how the city remembers.<\/span><\/div>\n<\/div>\n<div data-block=\"true\" data-editor=\"et293\" data-offset-key=\"6fp6t-0-0\">\n<div class=\"_1mf _1mj\" data-offset-key=\"6fp6t-0-0\"><span data-offset-key=\"6fp6t-0-0\">\u00a0<\/span><\/div>\n<\/div>\n<div data-block=\"true\" data-editor=\"et293\" data-offset-key=\"4r4m6-0-0\">\n<div class=\"_1mf _1mj\" data-offset-key=\"4r4m6-0-0\"><span data-offset-key=\"4r4m6-0-0\">On a lighter note\u2026 Consider renting a bicycle from Ilmar Part who runs a DIY bicycle factory TERT. It is a great deal and he is great to talk to about Tartu\u2019s efforts to encourage more of it\u2019s residents to drive less. The fallafel wrap from Gaberrito\u2019s, just up the hill from the artists\u2019 apartments on Lutsu, is really delicious. Come for the fallafel, but stay for the giant and gentle Rottweiler puppy who hangs out there. Sincere thank you to my friends and colleagues at the Studio Tartuensis and to the previous residents whose work and writing inspired and informed my own residency. <\/span><\/div>\n<div data-offset-key=\"4r4m6-0-0\"><\/div>\n<\/div>\n<\/div>\n<p><span id=\"cch_f1d2dfffe547fa\" class=\"_mh6\"><\/span><a href=\"https:\/\/typa.ee\/wp-content\/uploads\/2021\/01\/Figure_1.jpg\" rel=\"lightbox-0\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-2904 alignleft\" src=\"https:\/\/typa.ee\/wp-content\/uploads\/2021\/01\/Figure_1.jpg\" alt=\"\" width=\"300\" height=\"225\" \/><\/a> <a href=\"https:\/\/typa.ee\/wp-content\/uploads\/2021\/01\/Figure_1A.jpg\" rel=\"lightbox-1\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-2905 alignright\" src=\"https:\/\/typa.ee\/wp-content\/uploads\/2021\/01\/Figure_1A.jpg\" alt=\"\" width=\"300\" height=\"225\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><span id=\"cch_f1d2dfffe547fa\" class=\"_mh6\"><span data-offset-key=\"6eap7-0-0\">Images above: Marker for a burial site behind Toome Hill (Karl Ernst von Baeri and Valiikravi streets). A brick structure from early 19th century, designed by Johann Wilhelm Krause, it marks the spot of a mass entombment of remains dating from 13th\u201318th centuries. The inscription on the copper plates starts: \u201cHere lie bones of various people\u201d. It is translated on four sides into Estonian, Latin, German and Russian.<\/span><\/span><\/p>\n<div id=\"attachment_2906\" style=\"width: 310px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/typa.ee\/wp-content\/uploads\/2021\/01\/Figure_2.jpg\" rel=\"lightbox-2\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-2906\" class=\"wp-image-2906 size-medium\" src=\"https:\/\/typa.ee\/wp-content\/uploads\/2021\/01\/Figure_2.jpg\" alt=\"\" width=\"300\" height=\"225\" \/><\/a><p id=\"caption-attachment-2906\" class=\"wp-caption-text\">Kastani Street. A building close to the Aparaat Complex and Studio Tartuensis does not attempt to disguise its original stone foundation and lower levels. The side facing the alley it shares with the adjacent wood building bares palimpsests of other structures.<\/p><\/div>\n<div id=\"attachment_2907\" style=\"width: 310px\" class=\"wp-caption alignright\"><a href=\"https:\/\/typa.ee\/wp-content\/uploads\/2021\/01\/Figure_3.jpg\" rel=\"lightbox-3\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-2907\" class=\"wp-image-2907 size-medium\" src=\"https:\/\/typa.ee\/wp-content\/uploads\/2021\/01\/Figure_3.jpg\" alt=\"\" width=\"300\" height=\"225\" \/><\/a><p id=\"caption-attachment-2907\" class=\"wp-caption-text\">Mural of how Tartu \u00dclikool used to be (\u00dclikooli and Lossi streets). A tourist taking a photograph of another palimpsest-rich side of the building displaying an artist\u2019s imagining of what \u00dclikooli Street and Tartu \u00dclikool looked like in 19th century.<\/p><\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div id=\"attachment_2908\" style=\"width: 310px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/typa.ee\/wp-content\/uploads\/2021\/01\/Figure_4.jpg\" rel=\"lightbox-4\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-2908\" class=\"wp-image-2908 size-medium\" src=\"https:\/\/typa.ee\/wp-content\/uploads\/2021\/01\/Figure_4.jpg\" alt=\"\" width=\"300\" height=\"225\" \/><\/a><p id=\"caption-attachment-2908\" class=\"wp-caption-text\">R\u00fc\u00fctli Street. The medieval buildings of the street were destroyed in the Great Northern War and in the fire of 1775. The crooked character of the street disappeared and was replaced by the order of straight lines. The red bricks mark the way the buildings faced the street prior to their destruction.<\/p><\/div>\n<p><a href=\"https:\/\/typa.ee\/wp-content\/uploads\/2021\/01\/Figure_5.jpg\" rel=\"lightbox-5\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-2909\" src=\"https:\/\/typa.ee\/wp-content\/uploads\/2021\/01\/Figure_5.jpg\" alt=\"\" width=\"300\" height=\"225\" \/><\/a> <a href=\"https:\/\/typa.ee\/wp-content\/uploads\/2021\/01\/Figure_5A.jpg\" rel=\"lightbox-6\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-2910\" src=\"https:\/\/typa.ee\/wp-content\/uploads\/2021\/01\/Figure_5A.jpg\" alt=\"\" width=\"300\" height=\"225\" \/><\/a><\/p>\n<p><span id=\"cch_f1d2dfffe547fa\" class=\"_mh6\"><span data-offset-key=\"6eap7-0-0\">Two images above: World War II Memorial (Raadi Park). Another memorial translated into four languages. This time it is Estonian, English, German and Russian. Part of the text reads: \u201cThe number of people who fell in the years 1941\u20131944 in Tartu and its surroundings or who were murdered by the Soviet or German state security agencies is unknown. We do not know the locations of all the graves.\u201d The marker is positioned somewhat awkwardly right next to a small parking lot. However, its position is significant as it is meant to fill in some of the gaps in language of the nearby memorial erected during the Soviet occupation to commemorate the fallen soldiers of the Red Army. <\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"featured_media":0,"template":"","categories":[17],"class_list":["post-7264","resident","type-resident","status-publish","hentry","category-typa-residency"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Dimitry Tetin: Unfinished notes on exploring Tartu\u2019s spaces for remembering - TYPA<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/typa.ee\/en\/resident\/dimitry-tetin-unfinished-notes-on-exploring-tartus-spaces-for-remembering\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Dimitry Tetin: Unfinished notes on exploring Tartu\u2019s spaces for remembering - TYPA\" \/>\n<meta property=\"og:description\" content=\"Part of the work created during my residency at Studio Tartuensis involved constructing glyphs that merge characteristics of Latin and Cyrillic alphabets. 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