Working at TYPA helped me devise some tangible forms for these abstract musings. I initially thought about my month-long residency as a starting point for a potentially larger project, but I also wanted to finish some work while there and embrace the chance to work with TYPA\u2019s unusual equipment and studio. I wanted to acknowledge the city of Tartu as the starting point of what I consider to be an ambitious, but perhaps invisible, planet-scaled earthwork. I was struck by various 19th<\/sup>\u00a0century maps of the arc and related topographic surveys I saw at the T\u00e4hetorn\u2014the old observatory perched on a hill above the city, which is also the arc\u2019s first measured point\u2014and wanted to make something similar. Using the museum\u2019s various historic letterpress machines, I printed what was declared \u201cthe longest clich\u00e9 anyone has made here\u201d to make an accordion-folded map of the meridian line as it passes through buildings, parking lots, parks and cemeteries in the contemporary city. As I walked through Tartu to make this map, I thought about how such ordinary points in the landscape lead to places much larger and further away and how the significance of a site can be so easily overlooked or unknown. As I walked kilometers to the city\u2019s edges, I also thought about the physical and experiential aspects of exploring a place, which led me to make graphite rubbings of the city\u2019s streets\u2014a form of print-making directly from the landscape to reveal a kind of extremely local topographic map.<\/p>\n\nAs I explored the city according to the arc in these lofty and literal ways, I also thought about Struve himself, who undertook this project to measure the earth. He was both an astronomer and geodesist, engaged in describing two views of our surroundings that seem opposite\u2014sky\/ground, above\/below\u2014but in fact are deeply connected to how and where we are oriented in space. With this in mind, I made a series of postcards, each featuring a black and white photograph of the surface of T\u00e4he Tn in Tartu, but turned upside down to mimic a dramatic nighttime sky. Plus, these postcards are based on a translation pun: T\u00e4he Tn translates from Estonian into English as Star St. <\/p>\n\n
I appreciated working at TYPA since it is a museum that chronicles the history of print, but also because it\u2019s an active and dynamic place where artists experiment. As I set type, inked presses, and problem-solved printing, I overheard the extremely thorough and generous museum tours given by TYPA\u2019s staff and volunteers multiple times a day. I couldn\u2019t help but think about the revolutionary nature of sharing information, which print first made possible.
\n
\n<\/p>\n\n
In the end, I left maps and postcards for people to take for free, both in TYPA\u2019s gallery and at various points in the city along the meridian line. I\u2019m not a printmaker, but I often realize my projects as printed maps, books or postcards. I\u2019m interested in printed ephemera as a kind of public art that reveals your surroundings and can be put in your pocket to take with you.
\n
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